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Tatiana Pavlova. KSP in Independent Ukraine: Vita Heroica vs Vita Minima
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Małgorzata Radkiewicz. Photography as a “Counter Culture” in Communist Poland and Soviet Ukraine in the 1970s and 1980s
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Alina Sanduliak. Kharkiv School of Photography: The Game of the Everyday
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Bohdan Shumylovych. Seeing Myself Seeing Myself: Meditating on the Subjectivity of the Kharkiv Photography
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Kateryna Iakovlenko. Art after #Metoo: Image and (Un)Acceptable Provocation in Modern Ukrainian Visual Culture
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Lia Dostlieva, Andrii Dostliev. Imaginary Victims, Imaginary Perpetrators: Working with Historical Trauma as a Way to Resist the Official Narrative
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Valentyn Odnoviun. Two Creative Circles: Intersections among Lithuanian and Kharkiv art photographers from the late 1960s until 1980s
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Rui Cepeda. Historical (Cultural) Dysfunction and Disarrays: On the Kharkiv School of Photography
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Guennadi Maslov. The Kharkiv Burst
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Tatiana Pavlova. Late 1960s to 1980s: The Vremya Group’s Time
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Tatiana Pavlova. Avant-garde Red and Green: From "Blow Theory" to "Kontact"